Mostrando postagens com marcador 2015. Mostrar todas as postagens
Mostrando postagens com marcador 2015. Mostrar todas as postagens

quarta-feira, 23 de dezembro de 2020

Bestial: bestialmente empolgante

Resenha por: Renato Sanson

Existem bandas em nosso underground que quando mencionadas sempre geram uma certa comoção e respeito, mesmo que não sigam tão ativas, mas sempre são lembradas e reverenciadas.

Com os gaúchos do Bestial não é diferente, ainda que se mantivessem extremamente ativos no começo dos anos 2000, algumas pausas geraram incertezas, até que em 2015 o novo trabalho tomou forma e nos traz o amargo e poderoso “Hellfuckdominium XXI” (3° trabalho até o momento).

Se distanciando do Black Metal lá no começo da carreira e apostando mais no Death Metal, o que caiu muito bem para a estética sonora, lembrando em alguns momentos o saudoso Angelcorpse.

Claro que o Black Metal ainda existe em sua musicalidade, mas não tão aguçado e abrindo espaço também para o Thrash, onde o casamento de estilos se mostra homogêneo e extremamente brutal e doentio.

A produção do EP ficou a cargo do já renomado Fábio Lentino e a qualidade é mais que latente. Os timbres muito bem encaixados e claros, mas sem perder o peso e agressividade.

Em termos de agressividade não teria como não mencionar a capa deste trabalho, vindo em um Digipack de luxo envernizado, mostrando toda a agonia e repudio que o Bestial expressa em suas letras contra os dogmas e religiões, impactante e sinistra!

Já se passaram cinco anos deste trabalho, que soa autentico e extremamente atual. São apenas quatro faixas (sem contar a intro) e que nos deixa com aquela sensação de, que, queremos mais, pois esse novo Bestial se consolidará ainda mais no underground nacional se manter essa pegada absurda.

 

Tracklist:

1. Bestial Introduction (intro)

2. Atomic Blazing Ejaculation

3. Lascivious Possessor

4. Rising Vengeance Flag

5. Warm and Swollen Raw Leather

 

Formação:

A. Chuckill (Vocal/Baixo)

V. Alex (Guitarra)

Ed. Storm (Guitarra)

Daniel (Bateria)


Links:

https://www.facebook.com/BESTIALOFFICIAL

https://www.youtube.com/channel/UCzdUTrGbqgbPXKN-Z2-pzkQ

 

 

domingo, 3 de maio de 2020

Cerberus: um início promissor


Resenha por: Renato Sanson
Read in English by clicking here


São dez anos de história e incontáveis shows em seu histórico, com uma formação sólida e prontos para nos entregar um Heavy Metal Tradicional vigoroso e empolgante. Assim caminha os gaúchos de Torres da Cerberus, prontos para destilarem o veneno do mais puro Heavy Tradicional.

Enquanto o Debut está em fase final de composição e gravação, vamos hoje falar da Demo “Legacy” lançada em 2015 e disponível para audição em seu canal no Youtube.

São apenas duas composições, mas que apresentam as nuances de sua sonoridade, calcada no Heavy Metal Tradicional, com ótimas influencias de Grave Digger e Judas Priest.


“Hand of Doom” abre os trabalhos com um riff compassado que vai ganhando força com o seguimento do baixo/bateria muito bem marcados e extremamente pesados, embalando em uma chuva de feeling com linhas vocais que se destacam pela sua vitalidade e agressividade, mas com boas melodias. Onde a música em si vai ganhando forma e variações bem interessantes.

Já em “Wake me now” temos uma composição que começa mais arrastada e com estruturas mais cadenciadas, dando mais destaque as linhas de vozes que crescem ao clima interpretativo e denso que a faixa apresenta, ganhando energia com solos bem colocados.

“Legacy” mostra uma banda com qualidade e que tem muita vontade e energia, são apenas duas faixas, mas já podemos imaginar como nascerá o Debut que virá em breve, pois o profissionalismo do quarteto já é latente, já que a Demo apresenta tanto uma ótima produção como composições muito bem construídas.

Formação:
Nicolas Cardoso - Voz
Cristian Nunes - Guitarra
Jones Machado - Bateria
Rodrigo Fernandes - Baixo

Links:


Cerberus: a promising start


Review: Renato Sanson


Ten years of history and a countless show list, with a solid formation and prepared to deliver a forceful and exciting orthodox heavy metal. This is the way  of the brazilians gauchos from Torres – Rio Grande do Sul, ready to distill the poison of the purest traditional heavy.

While their Debut CD is on it’s final composing and recording stage, today we’re going to talk about their Demo CD “LEGACY”, released in 2015 and available on their YouTube Channel.

There are only two songs, but these ones really present their sonarity nuances, based on True Heavy Metal Style, with greats influences like Grave Digger and Judas Priest.


“Hand of Doom” opens the proceedings with a compassed riff that gets stronger with the following bass/drums very well marked and extremely heavy, taken in a rain of feeling with it’s vocals lines that draw in their vitality and agressivity, but with great melodies. The music itself gets very interesting forms and variations.

In “Awake me Now” we have a composition starting in a more dragged tempo and cadenced structures. The voices get featured by it’s crescendo in a interpretative and dense aura, getting stronger with the solos arrangement.

“Legacy” shows a energic strong willed and qualified band, there are only two tracks, but we can already imagine how their upcoming Debut CD will sounds like, the professionalism of this quartet is latent, since the Demo CD shows not only a great production, but also a very well built piece of music.

Line up
Nicolas Cardoso – Vocals
Cristian Nunes – Guitars
Jones Machado – Drums
Rodrigo Fernandes – Bass

Links:


domingo, 3 de dezembro de 2017

Armonite: Emocional, enigmático e belo

Resenha: Renato Sanson
Note/rate: 9,0/10


E se a guitarra fosse trocada por um violino elétrico? Lembro que antes do lançamento de “Ritual” do falecido Shaman, a banda tentou investir em um violino elétrico em vez de uma segunda guitarra, mas não deu muito certo.

Porém o os italianos do Armonite trazem essa proposta com: violino elétrico, baixo, bateira e teclado. Mostrando uma vertente instrumental rica e diversificada, passando por momentos folks, progressivos e de post rock, mas com estruturações bem encaixadas.

“The Sun Is New Each Day” (15) é de uma beleza incrível, pois a sutileza e melodia que o violino coloca nas composições soam simples e grandiosas ao mesmo tempo, tendo os ótimos teclados que são acompanhados por linhas competentes de baixo e bateria. Como se cada faixa tivesse vida própria, a sensação de estar ao meio de uma tempestade e logo em seguida desfrutar a calmaria após o caos.

Emocional, enigmático e belo. Assim podemos definir o Debut do Armonite, que vale cada minuto de sua audição.

Links:

Tracklist:
01 Suitcase war
02 Connect Four
03 G’ as in Gears
04 Sandstorm
05 Slippery Slope
06 Satellites
07 Die Grauen Herren
08 Le temps qui fait ta rose
09 Inset Coin

Formação:
Jacopo Bigi (violino elétrico)
Paolo Fosso (teclado)
Colin Edwin (baixo)
Jasper Barendregt (bateria)

quarta-feira, 22 de novembro de 2017

Concept of Hate: agressividade e competência

Resenha: Renato Sanson


A raiz noventista do Thrash Metal dá as caras no primeiro EP dos paulistas do Concept of Hate, onde imprimem influencias grooveadas e intensas em “Black Stripe Poison” (14).

Os riffs quebrados são um dos destaques, as composições passam aquela fúria que sentíamos em bandas como Pantera e Lamb of God (bem no começo da carreira), que aliado aos flertes do Hardcore nova-iorquino mostram muita agressividade e competência.

A produção é acima da média e traz bastante peso, o que deixa seu som ainda mais visceral.

Uma ótima estreia, que seguindo esse caminho podem brilhar ainda mais no underground.

Links:

Formação:
Flávio Giraldelli - Vocais
Daniel Pereira - Guitarras
Rafael Biebrach - Baixo
Takashi Maruyama - Bateria

Tracklist:
1. Black Stripe Poison
2. In Human Nature
3. Chaospiracy
4. Sanity is not an Option

segunda-feira, 27 de março de 2017

Jailor: transbordando fúria!


Se Chuck Shuldiner (Death) fosse vivo estaria orgulhoso do que os curitibanos do Jailor apresentam em seu segundo disco “Stats of Tragedy” (2015), que traz um Thrash Metal violento com boas doses técnicas criadas pelo saudoso Death na década de 90.

As composições são variadas, intrincadas e cheias de fúria, com momentos ora rápidos e outros mais cadenciados de puro peso, não há buracos em sua sonoridade, mas sim uma gama sonora fortíssima e empolgante.

A produção sonora que ficou aos cuidados de Thomé Araújo soa cristalina, mas pesada e com a sujeira necessária, com aquela áurea noventista no ar. Tanto a capa como o layout de arte do encarte são atrativos e atormentador, uma capa instigante e forte, assim como o seu encarte que abre em formato pôster, com diversas imagens que retratam as “tragédias” que o Jailor aborda em suas letras.

Ouça “Throne of Devil” e sinta o que você terá ao decorrer do álbum (preste atenção na intro de baixo da mesma e veja qual influencia está ali), onde transborda alma headbanger fazendo você bangear a cada nota despejada.

Qualidade inegável, vale cada minuto!


Resenha por: Renato Sanson


Links de acesso:

Tracklist:
1. G.O.D.      
2. Human Unbeing
3. Stats of Tragedy
4. Throne of Devil
5. Merciless Punishment
6. Jesus Crisis
7. The Need of Perpetual Conflict
8. Ephemeral Property
9. Six Six Sickness

Formação:
Flávio Wyrwa - Vocais
Daniel Hartkopf - Guitarras
Alessandro Guima - Guitarras, backing vocals
Emerson Niederauer - Baixo
Jefferson Verdani - Bateria

sábado, 29 de outubro de 2016

MX: Revisitando os clássicos de uma época dourada


Quando se fala em Thrash Metal nacional impossível não lembrar do MX, pois o que esses paulistas fizeram no final dos anos 80 e começo dos 90, ficaram marcados na história do Thrash, pois os álbuns “Simoniacal” (88) e “Mental Slavery” (90) são clássicos absolutos do estilo.

E para abrilhantar está chama criada lá no começo da carreira, o MX teve uma grande e desafiadora ideia, pois “Re-Lapse” (2015) são nada mais nada menos que regravações dos dois primeiros álbuns, com as faixas sendo escolhidas pelos fãs em uma votação na internet, além é claro de marcar sua volta em definitivo ao cenário.

É sempre complicado mexer novamente no que já foi criado, ainda mais com o status de clássico, mas o MX aceitou o próprio desafio e acertou em cheio, pois a única alteração que tivemos das composições originais para estas foi a qualidade de gravação, que em diversas entrevistas o baterista Alexandre Cunha sempre ressaltou que a única coisa que mudaria nos dois primeiros álbuns era a qualidade de produção.

Pois bem, é incrível ver o quanto a banda prezou pelos arranjos originais, mas mesmo assim dando uma roupagem melhor as faixas, como podemos perceber em “Dead World”, “Mental Slavery”, “No Violence”, “Jason” e “Fighting for the Bastards”, chuva de clássicos brutais e insanos.

A produção do álbum ficou a cargo da própria banda e dos produtores Roberto Toledo e Rafa. Qualidade de primeira, sem artificialismos, mas com timbres claros e pesados, dando a qualidade merecida para as composições. A arte gráfica ficou muito legal e com uma ilustração bem-humorada, com um encarte completo e com diversas imagens da banda de épocas distintas.

Não há muito o que dizer de um trabalho que conta a história do Thrash Metal nacional, simplesmente fantástico!

Antes de encerrar a matéria, vale ressaltar que fechando o disco temos novamente “Fighting for the Bastards”, mas cantada em português contando com a participação do icônico João Gordo, em uma versão bem legal.

Resenha por: Renato Sanson


Links de acesso:

Tracklist:
01. Dead World
02. Mental Slavery
03. Dark Dream
04. Behind His Glasses
05. Fighting for the Bastards
06. I'll Bring You With Me
07. No Violence
08. Jason
09. I'll Be Alive
10. The Guf
11. Dirty Bitch
12. Fighting for the Bastards (Feat. João Gordo)

Banda:
Morto - Vocais, baixo
Décio - Guitarras
Dumbo - Guitarras
Alexandre - Bateria



segunda-feira, 6 de junho de 2016

Baga: Insano e Brutal!


Formada em 2008 a banda carioca de Grindcore, Baga lançou em 2015 seu primeiro disco de inéditas “Verme”. Gravado entre Dezembro de 2012 e Novembro de 2014 no estúdio Hanol em Botafogo/RJ. Com distribuição pela Rock Animal mais 10 selos/distro, o trabalho conta com 17 faixas insanas.


O disco é rápido e certeiro, apresentando um Grindcore violento para marmanjo nenhum colocar defeito. Em sua totalidade “Verme” chega aos 24 minutos de audição com faixas curtas e agressivas, trazendo aquela cadencia certeira, mas sem perder a brutalidade. O vocal urrado com letras em português deixou as composições ainda mais agressivas.

Álbum insano, brutal! Muitas passagens características do Death Metal aparecem durante as composições; como em “Delírio”, faixa curta, cadenciada, mas agressiva sem perder a essência do Grindcore. A Produção cristalina deixou tudo audível e no seu devido lugar. Recomendadíssimo!

Resenha por: Artur Azeredo
Revisão/edição: Renato Sanson

Track List
01 – Violência Incessante... Entorpecendo Mentes
02 – Veneno
03 – Perdido na Existência
04 – Delírio
05 – Não Deus
06 – Verme
07 – Sem Lei
08 – Sistema Prisional Falido
09 – Ao Topo
10 – Rótulo
11 – Vegetal
12 – O Despertar da Desgraça
13 – Coletivo Canibal
14 – Hipocondria em Massa
15 – Zona de Terror
16 – Meu Grande Amigo
17 – Vazio

Apoie a cena não se apoie nela, adquira material original!

Links Relacionados

sexta-feira, 22 de janeiro de 2016

Interview - Thomas Vikström (Therion) - "I Was Born Into the Music"



As he himself says in the interview, Thomas was born into music, the son of well-known singer of Swedish opera, says his life changed when he heard KISS, and then began with his first bands in school, making playbacks, playing drums and then starting with the vocals, following a career that has in the curriculum from the first band that considers his first serious work, Talk of the Town, receiving a gold album in Sweden, the huge work in bands and projects like Candlemas, Brazen Abbot, Dark Illusion, Storm Wind and many others, and today shows all his versatility and talent in Therion(Versão em português AQUI)

Check out this interview where Thomas tells us a bit more about the beginning of his career, his work, future plans, the recent American tour and more, yielding really cool stories, with good humor and friendliness that is typical of the singer.





RtM: Hello Thomas!! I would like to begin this interview asking about how did you began your career as a singer, and I believe that your father was your main supporter. Would you Tell us a little more about how began your interest  and your first steps in music?
Thomas: I was born into music. My father was an operasinger and entertainer so I quickly learned how showbiz worked. I was hanging backstage with him and so on. But it took a little while before I realize that I would work with the same thing. I was like most boys, I wanted to be a fireman or a policeman. I even had an idea that I would be a sailor (Yes, Im still intrested in boats) also Icehockey was a big thing for me, and I played hockey for a long time. But the music was always there you know. I started to sing very late. I was 15 or 16 I think. 


RtM: And how the Heavy Metal came into your life?
Thomas: I was at a friends house playing. This must have been 1976 or so. And he put on a record with KISS and showed me a picture of the band. That changed my life forever. It was superheroes and they played music at the same time. And I also started to understand that girls like you when you played music. We made playbackshows(Kiss and ABBA) in school and I got my first kiss after playing KISS. I remeber that girl. Her name was Elsa. 



RtM: Great times and good remembrances.
Thomas: Yes, But in those days the word Heavy Metal was not invented yet. But for me Metal and rock belongs to the same family. Eventually I started to play drums and my band was called Power Dogs. I was in third grade and I played with the “big boys” in the sixth grade!! We did 2 gigs and my mother fixed my first stage costume( I still have it somewhere). When I was 15 I started to sing in a band that we called Bastard. Later on we changed it to Octagon. We were actually pretty good. We sucked at our instruments, but we had good songs and the right attitude. I sang horrible back then. Everybody heard that, except me! Hahaha


RtM: Classical music is already long present time within the world of heavy metal, what factors do you attribute the union of these worlds, with metal fans and musicians always being very attached to classical music?
Thomas: I dont know, In Therion its a mix between the two styles. Classical music and metal is not so far from eachother. The idea of creating emotions are the same. And Im convinced that Beethoven or Wagner would love Metal if they were around today.


RtM: And besides you, who unites these two worlds very well, what other musicians do you think know how to use in a better way  classical music and Metal Music?
Thomas: Nightwish Is a very good example I think. Great band!


RtM: And what are your inspirations as a classical singer and also as a Heavy Metal singer?
Thomas :Hard to say, but I guess when it comes to classical singing my father. I realize that today when I listen to my recordings and his recording. Sometimes the timbre is scary alike. I think its un-avoidable. His philosophy was very simple when it comes to singin:. "Have fun and sing as natural as possible. If you can talk you can sing". He was actually irritated of many of his collegues on the royal opera who was walking around singing scales and warming up for hours. He thought that was kind of wimpy (hehehe). He was called the punkrocker of the royal opera.
When it comes to Metal... I dont know, there are so many good singers. Rob Halford, DIO to name two. Freddie Mercury is also a true hero for me.


RtM: You are a part of the history of very important bands in Metal, as the legendary Candlemass. I would like you to tell us a little about your years with the band.
Thomas: Candlemass was a strange period in my life. I recorded the album "Chapter VI" with them. An album I like very much. Messiah was out of the band and I was litterately thrown into the studio and I sang “The dying Illusion” and I ended up singing on the whole record. The fans hated it. (Not now. Now it has become a cult record) and I can in a way understand it. Candlemass wish was to get away from the doom metal, and they did with this record. We did a few shows and one day the band just fell asleep. Now they are doing great and we are still good friends. 

RtM: And you have the album with Talk of Town, a band with great results with the first record. Tell us a little about that period wit TT. 
Thomas: Talk of the Town was my first serious band. I was only 18 or 19 when our first record came out. It went up the charts in Sweden and I received a gold album for it. The hit we had was called "Free Like an Eagle". I wrote the song and it was like winning a lottery. This was the moment I understood that this is something I know how to do, and I can as a bonus earn good money on it. Talk of the Town was like The Backstreet boys of melodic metal. 5 good looking men (yeah I was handsome once upon a time… he he) with good songs touring around sweden with a major hit. It was a great period in my life. 

RtM: In 1993 you had released your solo album "If I Could Fly", I would like you also to comment on about your solo. I believe solo albums are important, a way of musician show their influences and personality without barriers.
Thomas: My solorecord was actually a very simple deal. I was asked by my publisher to do a solorecord and I said yes. The deal was: You sing, we write the songs. If you are into melodic rock, I think it’s a great album. 

Talk of the Town


RtM: Oh yeah, great Melodic Rock songs, my favorites are "Love to Watch you Move", "Forever and Ever" and "Love and Emotion".
Thomas: Unfortunately when it came out grunge started to get HUGE. And it was not a big commercial success. But I like that album. Jeff Scott Soto is doing some of the backing vocals and Marcel Jacob (RIP) Is playing bass on some tracks. Pontus from Hammerfall are doing some solos. Johan from Therion are playing drums and also Per Lindwall who played with everybody. Yes, even ABBA.

Thomas' solo album
RtM: Besides Brazen Abbot and Dark Illusion, we have Stormwind, with who you released six albums, is also an important part of your history in the metal music. How were the years alongside the band, what's your favorite work with the Stormwind and why did you leave the band?
Thomas: Brazen Abbot and Dark Illusion are album projects. Especially Brazen Abbot is a project I loved to be involved with. Stormwind was cool. I never quit that band. The band leader Thomas Wolf decided to put the band on ice to do other things. I think Stormwind was growing from album to album. The first album is probably the worst I ever made and the last one is a great power metal album.
My fav song from Stormwind must be “Touch the flames" I think.


RtM: You have worked with many other bands, and plus those that we noted above, and may be is a difficult question to answer, but of all the work that you were part of, which ones did you like more to participate, and in which you consider that had your best performances?
Thomas: Without a doubt Therion I think. But I am never fully satisfied. But I've learned through the years that, accept and go further.Its only music! It just destroys the fun to be too picky.


RtM: And sure, about Therion, one of the bands (the best in my opinion) that better combine the Classical Music with Metal, and you fit perfectly in the band, making it difficult for a fan to imagine the band without you, and I hope we have many albums with you beside of the band. Tell us a bit how was your entering  in Therion. 
Thomas: Yeah, you have to get used to me, I dont have any plans of leaving. It all started with a telephone call. “Hi, my name is Christofer Johnson. I play in a band called Therion. Do you wanna go on worldtour?” Thats how Christofer is. Very direct. I told him, Sure, it sounds like fun. But how do you sound?? Send me something so I can listen. I never heard Therion before. I heard ABOUT them. Next day I had the whole catalogue in my mail. And the first song I ever heard was “Mitternachtslöwe”. I was blown away by it and called Christofer on the spot and told him: I AM IN!!!  


RtM: And also about the band's "family" atmosphere. We can see that this climate contributes a lot in live performances.
Thomas: When I did the first tour the atmosphere in the band was ok but a bit tensed. Some member (No names) called the fans very ugly things, and acted very unpolite which secretly made me very sad and ashamed. But I decided to have fun and I did not care a second about the grumpy feeling that was in the band. Now the spirit and atmosphere in the band is very very relaxed. We have fun, and the arguments are really few. Touring is how it should be: FUN! And I think that people can feel that when we are on stage.


RtM: Speaking of "Family", your daughter Linnéa also joined Therion. How is it for you to have her beside you on stage? I think it must be something very special and it fills you with pride. And i have to say, she is getting better as a singer and stage performer!
Thomas: I am used to have her beside me onstage now. And I am of course very proud of it. She is getting better for each year. She was actually only 18 when she did the first gig with us. That was at the bloodstock festival in England. I was more nervous than her. Me and Linnea have a very close relation. When we are on tour our relation transforms from father and daughter to collegues. Many people ask if I get jealous with all boys who hits on her on tour. Of course not. 

She is an adult now and does exactly what she wants. And now she has a steady boyfriend. The drummer in the band Dynasty that actually was the drummer in Rock Of Ages that I did for almost 2 years.  I think me and Linnea had 2 fights with eachother. First one was when she was 5 and I should teach her how to ride a bicycle, and the second time when she was 16 and asked if she could have a party in my house. I said: sure you can, but there will be ZERO alcohol, its my house and there is no need to even discuss it. I was not popular after that. But now she actually thanked me for it.

RtM: We had speak about your solo album, from 1994, do  you have plans or desire to release another solo album? Maybe with Linnéa! It would be nice!
Thomas: I am actually working on a solo project. It has the working name “CHURCH OF DECADENCE”. I am really exited about it. When or if it will come out I dont know yet. No, plans if Linnea will be in it. But...Thanks for the suggestion!


RtM: And your role in the Rock Opera "Antichrist Superstar"? What can you tell us about this work, and your expectations to perform it live?
Thomas: Its a big big project. And to tell you the truth we dont know yet how we will do it live. But in one way or another we will! 


RtM: Recently you have been back in America, through Mexico, where Therion has a large fan base, and South America, where the band is also loved. How was the impressions about that tour here in America, and how you feel about this complicity and love by fans here for Therion?
Thomas: To me the fans are everything. Without them we are nothing! Zero! And Im a social guy who honestly loves to spend time with fans outside the hotels and so on. If you are an artist that think the fans are a pain in the ass, there is plenty of Mc Donalds who needs your service. South america is very special for me/us. And a big surprise this tour was our first time in Honduras. It was really really cool and the fans were awesome. 


RtM: The tour was also special because was the Chiara’s first time here too.
Thomas: Chiara is fantastic. We actually started to lose hope to find somebody who could keep up to par with Lori Lewis. Thanks youtube that we found her. She is a great person and she is doing a great job. 

RtM: I remember you have spoken in a humorous way that was the "No Sleep Tour" with you making several shows in a few days. It should really be tiring, but I think all worth it with the reception from the fans, and to be doing what you like.
Thomas: This tour was a tour with very early flights. Sometimes you must go up like 04.00 in the morning to fly to another place. And when you arrive you must go directly to soundcheck. After the gig in Uruguay I totally lost my voice (which I almost never do) Luckily we had a day off after that and I could sleep and recover and do the remaining gigs in Brazil. If it was worth it?? Yes, 10 times around! You have to be made of a special material to love this life and I do!



RtM: And artistically speaking, do you feel you are a realized musician or have something you want in your career? What things you would also like to realize?
Thomas: I have done more than most people have done in a whole lifetime, I have visit around 45 countries and I dont know how many albums Ive been in. Am I rich?? Noo..Not really. But I am wealthy if Im speaking about what I have seen and experienced. But I always wanna try new things. I would like to do more Theatre. And If I was offered a role in a movie I would say yes without blinking.


RtM: Thomas, thanks for you time, before all, i'm a huge fan your work, and hope to see you soon and Therion here in America again (In Porto Alegre too, i hope)! I let this end space to you to send your message to the fans.
Thomas: Thanks! My pleasure!
I think I have the best fans in the world and we will be back in latin america again. And I hope it will be soon!!!!
Many kisses Thomas V

Interview: Carlos Garcia
Photos: Opening: Tim Tronckoe
Therion & Thomas archives (all photos are not modify, in respect of the autors)
Thomas Fan Page
Therion website
Related Links:
Interview wit Linnéa