When we think in Heavy Metal in Russia, the first name that comes to mind is "Aria", founded in 1985 (although in the former USSR), the "Russian Iron Maiden", with its beautiful lyrics, many written by poets Alexander Yelin and Margarita Pushkina, is probably the largest reference on Heavy Metal from that country, one of the first to break some barriers.
Many new bands have emerged in
Russia, and the Concordea, is seeking for its place on the scene, working hard,
having a very creative sounding, a Power Metal with various nunaces...melodic, heavy and dramatic, with well-crafted compositions, such as the
classic "Aria" also with beautiful and poetic lyrics (though, with
the difference that are written by the composers of the band itself), showing
that, who knows may be soon they could be a new reference in Russian Heavy
Metal. Talent They showed that they have! The qualities shown cease sure that
in a future album, perhaps also with an experienced producer, Concordea be
prepared for higher flight.
To bring to the readers, as we always try
to do, a bit more about the new promises, like the band Concordea, that arise by the metal world, we talked
with the talented guitarist and founder Daria Piankova, who tells
us about the Russian scene, the composition and the recordings of the recently
released first album, the participation of Italian singer Andrea Bicego (4th
Dimension), and much more, check out below!
Daria Piankova |
Daria Piankova: Actually
the very first band member of the future Concordea I met was Nikolay
Konstantinov, our bass guitarist and composer. It happened in 2009 when I was starting
my search for the guys to play with. But
at that time our activities were held apart. We met again in the summer of 2011.
I had met Alexey before, in winter. The search was quite long…
The line up was
completed only in 2012. In the beginning of 2013 the vocalist Dmitri told us
about his decision to depart from Ekaterinburg and to make opera singer career.
In addition I must tell you about some changes happened lately: the second
guitarist Alexey left the band, now we play with Konstantin Kirillov. Denis
Baranov is on vocals. That’s our short chronicle.
RtM: And to the readers who are knowing the band,
how would you describe the Concordea’s sound?
DP: We have
powerful guitar sound, strong thrash drums and “atmospheric” keyboards. And all
this power is led by high vocal… that’s what you can hear on our EP. In spite
of the fact that we are from one band, we all have very different musical
tastes (fortunately and unfortunately) and you can feel it well listening to
our songs.
Concordea current line-up: Alexey, Denis, Daria,Konstantin, Nikolay and back, on drums, Roman |
DP: Since the
music is being written by Nikolay and me, there are too many influences. As far
as I know, Nikolay was influenced by very various bands of various styles in
different periods of life: Aria (a very famous Russian heavy metal band), Rammstein,
King and Jester (Korol’ i Shut in Russian, a punk band), Nightwish, Sonic Syndicate.
As to me, I like a lot of different music too, from baroque music and classical
music in general to classic rock, from symphonic black/death metal to new age
etc. The strong influence was obviously exerted on me by Italian and Finnish power
metal scene of the 90s and 2000s (Rhapsody, Vision Divine, Labyrinth, Highlord,
Nightwish, Sonata Arctica etc.) So this variety will be surely imprinted on our
songs also in the future.
RtM: With relation to what I asked before, I will
give my opinion on what I aim as a differential, which are the letters, and the
variations in the sound, conveying various emotions and feelings. Would you
comment a little bit about what inspires you to write songs.
DP: Everything
beautiful that makes me experience feelings. The strong emotions move me towards
creative work. Great song, inspiring concert, original person, deep text, unforgettable
view… sometimes it’s enough to see clouds changing in the sky or how the sun
shines and you already want to write about it.
Andrea Bicego (4th Dimension) and Daria, during the recordings |
DP: When Dmitri
decided to leave the band, we had already been mixing with Andrea for several
months discussing various musical subjects. If a band has no singer it means there
is no concerts, no recordings. Infinite rehearsals, without any chance to be
listened. For a long time we couldn’t find someone who could fit at least a bit
our music. And I got an idea to invite Andrea, although it was a risk-taking. I
heard his live singing and also singing on CD, I thought his voice could
perfectly go with Concordea’s music.
He immediately
accepted my offer to sing our songs, he liked the material. Then he recorded some
demo versions, the first one was “Behind the wind”, and it came out fantastic…
We ALL liked his performance very much and Andrea became our official singer on
the recordings. But as you can guess, for such band like ours it’s a huge challenge
to live and play in a country and to have the singer in another one… Although we
had some discussions about common concerts with Andrea, there are too many
doubts about their realizability. Nevertheless I believe that everything changes
and everything is possible if both parts have reciprocal wish and one purpose… By the way, as I have already said, at the
moment we give our concerts with a local singer, and his vocal abilities are
very different from Andrea’s ones.
RtM: Daria, I know you wrote most of the lyrics and
songs, and most vocal lines too, how was to work the
vocal lines with Andrea, and he helped with the compositions?
DP: Well, the
musical authorship is about fifty-fifty, half written by Nikolay, half by me. I
should say Nikolay is great with the arrangements, especially keyboard
arrangements. The most of vocal lines are mine, you’re right. That’s why I
fully got the Andrea’s approach: he was very accurate, attentive with the
lyrics and melodies.
He knew I should’ve translated my originally Russian texts
to English and he was very careful both with their sense and form when he was
going to change something to make it more pronounceable. I think we were on the same wavelength; he
could immediately catch the right intonation and attack I asked for. I liked
almost every creative solution he offered and surely he seemed to be quite
professional to such a lay person like me. I am very thankful to him. It was a
great experience… and sometimes very hard too, ahahah.
RtM: Well, about your debut, the EP “Before the
Sunrise”, tell us a little more about the recording and production. And how you
came to Heart of Steel label to release the album?
DP: The instrumental
part was recorded here in Ekaterinburg, in “Rukami” studio. It was very first
experience for us and it wasn’t that easy for me, hehe. It fell out that I recorded
almost all guitar parts except some solos. The vocals were recorded in “Greenriver
Studio” in Varese, Italy.
I attended all
the sessions there. “Greenriver Studio” was the same studio, where all the mixing
and mastering were done, the studio belongs to Tancredi Barbuscia. He did a great
job! It was Andrea who recommended him. The second album of 4th Dimension
was completely recorded and mixed there, after all. Concerning “Heart Of Steel”
label, there is the same situation: Andrea offered our materials to the label
and after that they were ready to publish it.
RtM: As I said, the lyrics are a differential in
Concordea’s songs, and the title track have beautiful and poetic lyrics, and is
my favorite until now!!! I would like
you comment a little more about this song.
DP: This song was
written by Nikolay, and it is an absolute hit. Originally it had the name “In
the shadow”, and I started from this point. The track is very powerful, with
great drums, potent guitars and leading beautiful keyboards which make its
spirit very mystic, aggressive and gloomy. I imagined a gloomy forest: when
last sun ray is lost, it feels like when you lose last hope… actually you will
find description of a mystic night in the lyrics. But longing for the light and
warmth, feeling despair it often tends to forget that “night is darkest before
the sunrise”. By the way, among 4 texts this is the one Andrea worked on most
of all.
RtM: And about “Behind the Wind”, it sounds more
Melodic and Prog, but with the final part is almost Thrash! I think it also
brings the translation of the band’s essence as a group with your diverse
influences, and how all these factors go together. Do you agree? Can you
comment about it?
The line up that recorded the EP: From left to righ, Alexey Raskovalov, Roman, Alexey Turetskov, Daria and Nikolay |
DP: To my mind
“Behind the wind” is the most complicated among four published songs. Every
instrument interprets this composition in the best way possible. The original
idea was mine, Nikolay added the beautiful chorus, and I composed the vocal
line. Roman worked hard on the arrangement for the drums, which turned out to
be very complicated, Alexey (guitar player) decided to compose a solo, Andrea changed a bit the structure,
he left the space for keyboard solo and Alexey (keyboards) invented a beautiful synthesizer variation of the main
theme.
It’s very Concordea's song, it’s epic, romantic and
aggressive, melancholic and a bit desperate. The final part is very close to
thrash, you noticed right! The drums intensify the dramatic effect.
Moreover
you’ll find there the variations of the guitar riff, which are very intensive,
too… And it feels like the final
dramatic chords make you give up any hope, the lyrics assist it well: “your
highness is caught by the wind and taken away”. I like very much the
performance of Andrea here. His attack and style of expression are just
outstanding. He caught well the intonations that were almost unattainable for
the singers we had before.
RtM: Continuing, comment about the beautiful lyrics
of this song. “Slake my thirst, quench my fire, relieve me from painful
thoughts!” And then… there’ll be no response! (be no response...)”
DP: As for the
lyrics… I’d like every listener to have his or her own associations. Andrea
said once that “Tempest” had reminded him of Shakespeare, ahah. Well, the
lyrics have too personal background. As a matter of fact, it’s a song about my
unrequited love, about my passion.
Daria's dramatic and poetic lyrics are important part of Concordea's identity |
DP: I totally
agree with you! I consider “Delusive shades” the most “mystic” song on the EP
from the point of view both of the instrumental part and of the textual
part/vocal line... The lyrics I wrote for it are my favorite. The same person who has inspired me to
write “Behind the Wind”, was my inspiration for “Delusive Shades” as well. In
fact the lyrics about “round dance of shades” and “changing into a shade” are a
fantasy interpretation or, better to say, an allegorical dress for some very
personal layers of my life, the life of those person and my strong feelings
towards him... But actually everybody can interpret the text as he/she wants,
eheheh.
The song
sounds very gothic, and every guitar part, every keyboard part, every change of
rhythms in it create a special atmosphere, but the final part of this song still gives
me the creeps! This word “wistfully” sounds perfect in english and it sounds
like a spell towards the end... And the lasting guitar creak makes you feel
deeply the mystic atmosphere of the track and you become enchanted... That’s
what happens to me listening to the song, I don’t know what the listeners could
say, ahah.
Andrea Bicego: pay attention to this great italian singer! |
DP: As for the
“Message”, it’s quite merry and peaceful song, it concerns esoteric things:
every song we write is a gift of the “supreme forces” which we translate into
music and lyrics. And every such song is a sort of “message” we send to our
listeners... And may these “messages” be sincere and kind in essence, ‘cause we
must concentrate our consciousness on beauty, harmony and peace to create beautiful
and peaceful reality around us. It’s simple and it’s hard. The musical variety
of “Message” is exactly about it: there are many guitar passages, there are
various rhythms, unusual drums and fast solos. And Andrea’s voice fits the song
very well, I’d characterize his vocal here as light and fresh.
DP: I started
to play acoustic guitar a bit late when I was 19. I took some private lessons. Generally
speaking, my first instrument ever was block flute when I was 7 or 8, and at
the age of 10 I began to play piano. The passion for this musical style was born
in 1999, when I listened for the first time to the album “Symphony of Enchanted
Lands”. I was 12, I was completely enchanted by Rhapsody(of Fire) and my life was totally changed
from that moment.
RtM: Speaking about the Russian scenario, tell us
how is the support to the bands, the space to Metal concerts and conditions
(including economic) to keep a Metal band? Some time ago, Russia was closed to
many things.
DP: Well, one
of so-called “supports” is when you can go to rent some fully equipped room,
pay for 1-2-3-4 or however many hours and play there with your band mates.
There are a lot of small events held in the small pubs or bars where several
bands can play in an evening. If you have enough money and abilities you can
always pay and play once as a support band on scene with a touring star. Often
the same happens with festivals. As you can see, the only and most reliable
support is our enthusiasm and our love towards what we play and what we
do.
RtM: Well,
you are one of the former members, composer, and have other responsibilities,
even assuming a natural leadership. In your opinion, what
abilities/characteristics must a modern leader of a musical band have?
DP: Besides
the musical abilities he or she must be quite flexible, strong enough... full of various
ideas and must translate them well into reality. He or she must be interesting,
friendly and maybe a bit eccentric to make others follow him or her... That’s
how I see it at the moment.
RtM: I realize now that here in Brazil we are having
the Football World Cup, and the next Cup will be in Russia. Here there were many criticisms because of
government spending, and some popular manifestations and protests, but as for
events and tourists, all ok, because the Brazilian people are very hospitable.
And there in your country, as you are seeing the fact that Russia will be the next country to receive the World Cup?
DP: Do you
know it’s planned to hold worlds also in Ekaterinburg? They want to build and
rebuild stadium/sports grounds, relocating some constructions within the city. It
will strongly affect the lives of people. A lot of citizens of Ekaterinburg and
other cities too dispute these programs. It’s obvious, they have no sense, such
investments volume could have far more useful application!
DP: Wow,
Carlos, thank you very much for your wishes and for this amazing opportunity to give the interview for your great webzine! We shall do our best. Readers of “ROAD TO METAL”, keep
listening to good music, keep following "Road to Metal!", follow us, be positive and smile more!
Interview by: Carlos Garcia
Photos: Concordea Archives
Web site (access and listen to the album)
Facebook
Label site
iTunes (buy the songs)
Read the review of the album on Road to Metal
Demo Versions:
Photos: Concordea Archives
Web site (access and listen to the album)
Label site
iTunes (buy the songs)
Read the review of the album on Road to Metal
Demo Versions:
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